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Simmons, Krusty and Seinfeld

Posted by Bob on March 15th, 2007 under Coaching Session, How Things Work


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Actually “Crusty the Clown” is the Jewish character on the “Simpsons”, a bit of irony there. In another bit of irony it was my realization of my Existentialism that brought me to the reality of race. I came to realize the truth in what Dave was saying at a fairly young age for an unread man. It is also why I’m suspicious of the masses and any “movement” that seeks to evangelize every “Opron” or “Sports Eunuch” to white nationalism.
Comment by Simmons

ME:

Seinfeld and Krusty have one thing in common, and both are emphatically Jewish. Someone remarked that Seinfeld does not have a single “Aaaah!” moment in the entire series. That is the moment, present in the most hard tack sit-coms like Married With Children, where, despite all the apparent callousness, every character has a moment when he shows some decent instinct, and everybody goes “Aaah!” because it is such a disarming contrast to their usual total amorality.

But the characters in Seinfeld are ALWAYS absolutely, uncaringly self-centered, without any sense of proportion. They could easily watch a train wreck and notice nothing but whether they should steal the clothes off the corpses. In fact, that very callousness was the basis of the plot of the last couple of shows when they were arrested for laughing at a guy getting mugged because he was fat.

Bart Simpson, who helps nobody, saved Krusty’s life, saved him from prison, a whole list of things, and Krusty never even recognizes him. The only people Krusty has ever cared about were his Jewish father and himself.

Jews are very upset at the name Costanza and that the others around Seinfeld are portrayed as non-Jews. It is an entirely Jewish show, and they are upset anything else is presented. It is how they see themselves, and they’re proud of it!

One episode of Seinfeld had him making out with a girl in the theatre where Schindler’s List was playing. The Seinfeld character has no feeling for Jews, either. The result is that he and his friends are pure, uncut, obvious, absolute psychopaths.

I don’t think Goebbels could have come up with a more damaging, and accurate, picture of Jews than the Jewish media does.

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  1. #1 by Pain on 03/15/2007 - 6:06 pm

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    Bob,

    I hate to say this, but I suspect you are unconsciously confusing Spengler with Toynbee. Toynbee was a fine historian, but his metahistory was poor. Also it was Toynbee who admired Khaldoun. Professional historians, relying on summaries, often confuse the two, but Spengler and Toynbee are very different. Spengler and Khaldoun are even more different.

    For example, Toynbee continues the ex oriente lux nonsense because he believes in the inevitability of ineffable Progress. This belief started with Macaulay, who developed a philosophy of history to combat Tories in Parliament who insisted that things had been going terribly down hill since the Middle Ages. Macaulay, a Whig MP, ably proved them wrong. However, like any politician, he overstated his case: many things had gone terribly wrong, and Progress is not ineffably inevitable.

    This overstatement is the assumption that Toynbee worked under. He was committed to ex oriente lux because his faith in Progress produced a linear view of history with discrete origins: predictably, he found them in the Middle East.

    Toynbee’s second error was in failing to understand Spengler. Or perhaps it was a resistance, since Spengler’s organic view of history begged Race. And indeed Spengler spoke about race, and race is a theme underlying and uniting his theoretical work. In particular, Spengler talks about soul in a way that defines culture as its product.

    This is the principle difference between Spengler and Toynbee. Spengler uses culture as a way to delve into soul; Toynbee uses culture deterministically. For Spengler, a people produces its culture. For Toynbee, the culture controls its peoples.

    Further, to Spengler, observing changes in the culture maps out the changes in an organic people’s soul. But to Toynbee, culture is transferred from people to people. This was inevitable under Toynbee’s framework of ineffable Progress, since he tracked cultural dissemination across the globe. He had to, since to him, culture was just technology, which in the tradition of Macaulay’s Whiggery made life better and better: ineffable Progress.

    This is why Toynbee historians track the distribution of the plough from the MIddle East. This is why Lynn White made his notorious gaffe by attributing the rise of Chivalry exclusively to the stirrup. To each of these historians, culture was not the product of people, but something that had a life of its own.

    The damage this creates is that it assumes that all people are the same. According to Toynbee historians, the Chinese have become us now that they drive cars and own computers.

    Spengler, however makes it quite clear that the Chinese remain Chinese, but that they have been conquered by the West. He might say that this was almost inevitable because of the West’s extending all things through perpetual activity to infinity. Because of our drive to infinity, the whole world has fallen to us. And now we reach for the stars themselves, in the infinity of space.

    Spengler is the theoretical work upon which Yockey built his brilliant treatise. Yockey updates Spengler, expands his theory, applies it to the world, and most importantly rescues Spengler’s vagueness on Race.

    There are perhaps four great works on Western man that seem to carry on a single tradition of prophecy(?) for us: Chamberlain’s Foundations of the 19th Century, Spengler’s Decline of the West, Rosenberg’s Mythos of the 20th Century (this was translated and published under the direction of Carto, but often I think Rosenberg’s almost hysterical anti-Christianity disqualifies it), and Yockey’s Imperium.

    What is missing in this tradition is a racial taxonomy from up to date genetics, and a proper understanding of Christianity and the Old Testament. Bob seems to be the only one who points in the right direction on that issue of religion.

    But comparing Spengler to Khaldoun is off the mark.

    Toynbee does use Khaldoun’s descriptions of the rise and falls of dynasties. Toynbee does so since he believes that culture, like governments, is imposed on peoples and therefore peoples are unimportant. Spengler however uses culture — a people’s way of life — as a gauge on a people’s inner life.

    This is because a people produces a culture and not (as Toynbee suggests) the other way around.

  2. #2 by Pain on 03/15/2007 - 6:20 pm

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    The short version of the above is:

    Ibn Khaldoun describes the rise and fall of dynasties.

    Spengler uses the rise and fall of world civilizations, a product of people, as a gauge of the development of a group of peoples’ inner life. Spengler sees the subtle signs in civilization that the West, having conquered everything, has run its course. He implies that Western man will convert to a new inner life and so produce a new civilization, a new age.

    Yockey builds on, expands, and improves Spengler’s theory. In particular Yockey is less vague on race.

  3. #3 by Pain on 03/15/2007 - 6:29 pm

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    I should have said that “convert to a new inner life” is an analogy to religious conversion, but it really means a cultural conversion. The race survives, but produces a new way of life (=culture), based on the old just as the West is based on, yet distinct from, ancient Greece and Rome.

    Rome fell because it had been invaded by millions of non-white Arabs. Yet whites survived and converted to a new type of civilization that was able to repel the Islamic hordes.

    We are at the conversion point again.

  4. #4 by shari on 03/16/2007 - 2:27 pm

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    Pain,
    When was Rome invaded by non-white Arabs? Please add some explanation.

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